![]() Marsha uses an archival pigment printer to layer abstract digital drawings on Mitsumata paper. Marsha Cottrell / 55 Washington Street, 258 Her elegant work, comprising graphite, pigment, vellum paper, pins and often incorporating light, video and installation, has been exhibited internationally, at the Museum of Contemporary Art Toronto, the Nam June Paik Art Center in South Korea, SculptureCenter in New York, and The Drawing Center in New York, among other venues. Jesse uses historical research to inform interdisciplinary work about time, language, and the nature of translation. Her recent paintings, made during the pandemic and after, focus on the materiality of paint and our shifting perceptions, particularly of color. ![]() Gabriele Evertz explores the radiant energies of pigments in large-scale abstract paintings. He lived in rural Block Island and abroad for many years, but he has recently returned to the city. Here “idea meets intuition,” the artist suggests, adding that these pieces are intended to be purely experiential. Practitioners of work that falls in this expanded category create work that gives the viewer themselves something visual to experience in the moment, as well as longer lasting ideas, propositions, and philosophical inquiries to chew over and discuss.Īpril uses common materials such as canvas, charcoal, acrylic paint, and plywood, combined with simple processes like scribbling, tracing, and outlining, to create complex systems through which she explores existential questions and the slippery nature of truth.Įrica’s work, inscribed and painted on thick plaster slabs, deals with memories and longing.įred employs evocative color in large-scale watercolors that fuse graphic and organic approaches. Sometimes text is incorporated, and, in painting, color and composition play key roles, but the underlying ideas are equally important. For purposes of this Dumbo Open Studios Guide, I have expanded the traditional definition of the term to include other types of contemporary art in which meaning may be conveyed through metaphor, material choices, and artist’s idiosyncratic processes. Originating in the early 1900s, the term was first applied to geometric abstraction – paintings by artists, such as Kandinsky, who sought to convey something metaphysical or spiritual rather than to depict the world around them. “Non-objective” art is a category of abstraction that doesn’t rely on even a remote visual relationship to the physical world for meaning.
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